Constructed without side seams and with shoulder seams shifted forward to run down the full length of the sleeves, the Deconstructed Turtleneck fits the body with an exceptional ease that is immediately felt. Nothing rubs against the skin, nothing interrupts.

The sleeves extend into a full hand covering, finished with a structured panel that fans out like a fin. A open slit along its length means it slides naturally to the side the moment your hand moves, never in the way.

Made from soft, lightweight 100% cotton with a natural cooling effect and finished with a high turtleneck that beautifully frames the face.

The Double Pocket Suit Pants carry the quiet authority of a tailored trouser without any of the rigidity. Cut straight and casual in soft 100% cotton, they drape with the kind of ease that looks effortless and feels intentional. The deep-set crotch giving the silhouette a relaxed, unhurried quality. It gently limits your stride, naturally encouraging smaller, more deliberate steps. A subtle reminder to slow down, take up space, move with purpose rather than in a hurry.

Each side features a double pocket opening, two separate pockets stacked one above the other, a considered feature for those who actually use their pockets.

Formal enough to command a room. Grounding enough to remind you there is no rush. A suit pant that knows the rules and quietly ignores them.

Calmuc is a dense, heavy and flame resistant 100% cotton fabric , originally hung in theatres to absorb sound and keep the outside world at a distance. It quite literally filters out noise. Worn as a blazer, that is exactly what it feels like. A stillness settles in. A sense of being grounded, present, and unshaken by what surrounds you.

The seams are raw and left to fray. Open edges, visible construction, imperfections worn on the surface rather than tucked away. Because true strength does not come from hiding what is difficult, but from carrying it as part of the whole.

And then there is the weight of it. The oversized cut and wide lapels broaden the shoulders and extend the silhouette. A reinforced back seam with a thin strip of elastic draws the fabric into a subtle sculptural curve, giving the back a quiet, structural tension. Putting it on feels like putting on armor.

A thick rubber band secured with custom metal brackets, long enough to wrap multiple times around the neck as a layered chain or coiled further around the wrist as a bracelet. One object, worn in many ways. No fixed form, no single answer.

The name is the idea. The multiverse as a reminder that nothing is limited to one version of itself. That the same thing can exist differently depending on how you approach it. That you are not fixed either.

Simple in its materials. Open in its possibilities.

Constructed without side seams and with three seams running across the back in an inside-out finish, the 3Seam Tee sits against the skin with nothing in the way. No pressure points, no interruptions. Just exceptional comfort that feels as easy to wear as it looks. The exposed seams add a considered, intentional finish to a silhouette that is clean at the front and quietly detailed at the back.

Made from soft, lightweight 100% cotton with a natural cooling effect, the tee features a relaxed fit and a gentle waterfall collar that drapes effortlessly. A refined take on an everyday essential.

Constructed without side seams and with three seams running across the back in an inside-out finish, the 3Seam Tee sits against the skin with nothing in the way. No pressure points, no interruptions. Just exceptional comfort that feels as easy to wear as it looks. The exposed seams add a considered, intentional finish to a silhouette that is clean at the front and quietly detailed at the back.

Made from soft, lightweight 100% cotton with a natural cooling effect, the tee features a relaxed fit and a gentle waterfall collar that drapes effortlessly. A refined take on an everyday essential.

Dense, heavy, and deeply black, Calmuc is a 100% cotton fabric that carries weight in every sense. Cut high at the waist and dramatically flared, these pants fall wide enough to read as a skirt in motion, sweeping with every step and commanding space in a way that feels like freedom rather than volume.

Panel seams divide the fabric across the entire garment, each one finished with scar stitching and reinforced with custom metal rings. Visible, deliberate, unashamed. Scars not as flaws, but as evidence of something that held.

The scar stitching is intentionally worked to loosen over time. The holes that form are part of the design, part of the character. Eventually, the panels will be held together by the metal rings alone. That is by design. The rings are built to carry the garment forward long after the stitching lets go. This is not a piece built for permanence, but for change. It is meant to age, to open, to become something different with wear.

The Vision Bomber does not shrink. Cut in an extreme, sculptural O-silhouette, it extends far beyond the body in every direction, creating a shape that is as much architecture as outerwear. This is not a jacket for blending in. It is a jacket for taking up exactly as much space as your vision requires.

The leather is worn with its grained side facing inward and the smoother reverse facing out. A deliberate inversion that questions which side of anything is meant to be seen and why.

A styling piece for extraordinary occasions. Available for styling on request [Get in touch]

A ripple starts small. A single point of contact that moves outward in every direction, touching things it was never aimed at. Everything that has happened to you has worked the same way, one moment leading to the next, each decision, each encounter, each loss and each beginning, all of it bringing you exactly here.

The Ripple Bag is a reminder of that. Structured and deliberate in its form, made from 700 GSM faux leather with a trim of soft fur along the top edge, it carries the weight of something considered.

Four press studs on the front face allow the shape to be adjusted, gathering the leather into a rippling, wave-like form that shifts depending on how you wear it.

A slim, cropped leather jacket . It wraps close to the body, fitting tight enough to feel the constraint. But where the physical is held in, everything else is left open. An open lining at the sleeves, no zipper, no buttons, nothing that seals. The jacket holds the body while the energy moves freely through it.

At the collar, structured ribbed fabric is shaped into a wave that folds around the neck like a petal. Soft where the leather is not. The lining surfaces at the sleeves and hem, raw-edged and fraying outward, as if what is usually kept inside has found its way out.

Finished with small metal brackets all over the jacket and a custom metal logo patch on the right side.

The Metal Mesh Polo is made from a brushed French terry woven with metal fiber, soft on the inside and textured on the surface like a fine chainmail, with flecks of metal thread catching the light like a night sky. It wears close to the body without restriction, the fabric warm and gentle against the skin.

At the neckline, a stand collar with an asymmetric placket and custom metal buttons rests with quiet weight on the chest. Like jewelry, but part of the garment itself. Grounding. Deliberate. The kind of calm presence you feel before you notice it.

Sleeves and hem finish with a light rolled edge. Nothing excessive. Everything considered.

There is something feline about the way these pants move. A second row of belt loops sits at the hip, holding a custom fur belt. It hangs loose at both sides and moves with the body as you walk, swaying like a tail. Relaxed through the body with a low-set crotch, they carry themselves with the kind of unhurried ease that does not need to announce itself. A presence that is felt before it is seen.

Cats have always been my spirit animals. Graceful, instinctive, and grounded in a way that feels almost spiritual. These pants carry some of that energy. To channel the kind of presence that is calm and powerful at once, aware of everything and unsettled by nothing.

The leather surface has been worked with fire, melted and distressed into a textured, uneven finish that catches light differently. Metal hardware sits at the seams throughout, small reinforcements that read like ornament as much as structure.

Cut extremely wide through the body and falling to mid-calf, these leather Bermudas move more like a skirt than a short.

They were designed to sit well on every body, regardless of gender, shape or size. There is something equalising about a garment made for everyone. On a deeper level, we are all the same. The same fears, the same hopes, the same need to be accepted as we are.

Fastened with custom metal press studs and detailed with metal hardware throughout. A piece that does not ask you to fit into it, but fits itself around you.

Without side seams and with inside-out seams and shoulder seams shifted forward, the Deconstructed Tank Top fits the body with an exceptional ease that is immediately felt. Nothing pulls, nothing interrupts. The soft 100% cotton sits gently against the skin, with a quality of comfort that is hard to put down once experienced.

All seams are exposed and raw, the construction brought fully to the surface. Every detail of how this garment was made is visible, deliberate, and worth looking at.

The turtleneck elevates the tank top silhouette into something more considered. Not a sports top, but a refined summer piece with a quiet presence. Worn alone it holds its own. Layered, it anchors everything around it.

A floor-length white cotton dress, slim and body-conscious, open at the back. It follows the body closely, celebrating its natural curves without exposing it.

Tattoo-style graphics cover the entire surface, a visual language of spiritual awareness and social consciousness. Symbols that question power, challenge cycles of blindness. Wearing them is not a statement for others. It is a reminder for yourself. To move through the world awake, it is a sign of belonging to something greater than any single system or structure.

The all-seeing eye appears all over the dress, an ancient symbol of wisdom and protection that runs as a thread through the entire collection. A presence that watches, guides and guards.

Named after the Hindu goddess of destruction and creation, Kali is often depicted as fearsome, dark and untamed. She is not, however, a figure of fear but of transformation. Behind that image lies one of the most profound and beautiful symbols in spiritual tradition. She does not destroy out of malice. She destroys what no longer serves to protect, clearing the way for something new to emerge. She is the goddess of liberation.

Cut oversized in short-pile faux fur and falling almost to the floor, the Kali Coat is ceremonial and glamorous in equal measure. A hood frames the face. Epaulettes at the shoulders and running down the length of the sleeves are a deliberate reference to Kali's four arms.

The hem and sleeve cuffs are finished entirely with safety pins along the full circumference of each edge, adding weight that translates into movement. The coat swings with every step, alive and unhurried.

Protective armour. Divine glamour. Both, at once.

A slim, double-layered dress in delicately soft cotton fabric with deep armholes that open along the sides. Clean in its construction. Deliberate in everything else. Over 300 individually placed safety pins form a single statement across the front: I RUN THE WHOLE ENTIRE UNIVERSE.

The dress does not ask whether you believe it. It assumes you already know, on some level, that the universe you inhabit is the one you create. That consciousness shapes reality. That what you claim, you call in. Wearing this is not a performance of ego but an act of alignment, a reminder that power, divinity and creative force are not external things to be granted but internal ones to be recognised.

The question of who governs the universe has occupied philosophers, mystics and scientists for centuries. This dress puts it on the body and leaves it open. Worn with irony if you need the armour. Worn with full conviction if you do not.

A pair of lapels, removed from their original context and reimagined as a top. Cut from 100% cotton, Calmuc with a brushed inner surface that sits exceptionally soft against the skin. The body is framed rather than exposed, decorated rather than concealed.

The name says it twice. Revers, from the French for lapel. And reverse, for what this piece does to the norms it borrows from. The lapel has always belonged to the suit, to authority, to a very specific idea of who gets to project power. Here it is worn differently. Strong without being severe. Sensual without being reduced to it. Feminine in the fullest sense of the word.

Soft where it touches the skin. Structured where it meets the eye. A piece that understands that vulnerability and strength are not opposites.

The Painter Parker is the personification of an artist at work, carrying creative energy into every room it enters.

Everything about its construction supports the work. Every seam is sealed with waterproof tape and the fabric treated with an additional water-resistant coating. Two large front pockets hold brushes, tools and whatever else the day demands. A cape-like panel at the back, fitted with metal chains, allows canvases to be secured and carried with both hands free.

Think of it as an armored lab coat, but for artists. The structure and seriousness of a uniform, the utility of a site jacket, the protective logic of workwear, yet without any of the underlying authoritarian work ethic.

Built for creative work rather than compliance. Just the quiet confidence of someone who intuitively knows what they are doing.

The Painter Pants are the personification of an artist in motion, a functional embodiment of it.

Wide-legged and relaxed, cut from nylon treated with a water-resistant coating and every seam sealed with waterproof tape. Built to show up wherever the work takes you, in the atelier, on the street or anywhere in between.

Large cargo pockets carry brushes, tools and supplies without a second thought. Articulated knee panels allow the body to move fully and freely, to kneel, to crouch, to work close to the ground without the fabric ever pushing back. Paint marks across the surface. Creative energy leaves traces. That is the point.

Practical enough for the process, yet wearable for any other everyday occasion.

A cropped vest with a hood, a built-in scarf, and a construction that follows none of the usual rules. The hood runs seamlessly over the shoulders into the front panel where it continues around the back and extends into a generous scarf that wraps around the neck and anchors the piece in place. No shoulder seam. One continuous cut.

Worn layered under a jacket or coat, it functions as a second lining, adding warmth in cold conditions while the scarf and hood create a natural fur trim at the collar without any modification to the outer layer. It upgrades coats and even summer jackets for winter wear instantly.

The back panel can also be left to hang loose, letting the piece breathe and the silhouette open up, wich makes it wearable even in summer.

A vest, a scarf, a lining, a fur trim. All at once, a versatile vest, like a Swiss Army knife, designed for any circumstances.

Wide-leg sweatpants cut from soft cotton fleece with an elasticated waistband. Comfortable from the first wear, with a silhouette that is relaxed without being shapeless.

Long-pile faux fur runs along the full length of the side seam and across the back as a yoke above the seat, a structural detail that sets these apart from anything else in the category. Luxurious in feel, innovative in design. The kind of piece that makes staying in feel like a considered choice.

Materialism combines painting with elements from my fashion design practice. Metal components were embedded into the wet acrylic paint, becoming part of the composition. As the paint dried, natural cracks formed, creating an additional layer of texture and interaction between the materials.

Despite its title, Materialism is not about consumerism or excess. Instead, it focuses on the value of essential objects and the role they play in the creative process. The work incorporates pins, safety pins, and snap fasteners—small components that are often overlooked but are fundamental tools in garment construction. By bringing these everyday materials into the artwork, the piece highlights their function, presence, and importance.

Executed in acrylic on canvas and measuring 80 × 100 cm, the piece draws attention to the details that often remain unseen, reminding us that even the smallest elements can have a significant impact.